Jumat, 25 Juli 2014

Reading Short Story


Reading Short Story
A.    The Definition of Short Story
Short story is a fictional work which depicts one character's inner conflict or conflict with others. It usually has one thematic focus. The short story, as the name suggests is basically "short" which runs in length from a sentence to four pages, or to novellas that can be 100 pages long. And therefore, it shows the characteristics of both the short story and the novel. Short stories usually produce in the reader an emotional and intellectual response. (by Rakesh Ramubhai Patel, http://ezinearticles.com/?What-is-Short-Story?-Learn-About-the-Short-Story-Genre&id=3087882)
It is also the form of short piece of fiction aiming at unity of characterization, theme and effect.
A story written with a few characters the aim is to create unity, create a mood rather than a plot making it end quickly and not be a long book or article, some short stories have 15 or less pages. (http://www.blurtit.com/q559670.html)
Next, it is a brief fictional prose narrative that is shorter than a novel and that usually deals with only a few characters. The short story is usually concerned with a single effect conveyed in only one or a few significant episodes or scenes. The form encourages economy of setting, concise narrative, and the omission of a complex plot; character is disclosed in action and dramatic encounter but is seldom fully developed. Despite its relatively limited scope, though, a short story is often judged by its ability to provide a “complete” or satisfying treatment of its characters and subject.  Before the 19th century 100 of 7951 words. (by Arlen J. Hansen,
Finally, short story can be the small commercial fiction, true or imaginary, smaller than a novel is known as short story. Short stories are well grouped into easy beginning, concrete theme, some dialogs and ends with resolution. They are oral and short-lived which have gossip, joke, fable, myth, parable, hearsay and legend.
B.   KINDS OF SHORT STORY
1.      Ancient Tales
It is the power of the utilization of the ancient form of the tale in the modern short story. Italian writer Giovanni Verga's The She-Wolf (1880), and Chinese writer Yeh Shao-Chun's Mrs. Li's Hair are remarkable examples.
2.      Fantasy
Fantasy stories are nothing but the fair combination of the old tales tradition and the supernatural details. The fine examples of such stories are British writer John Collier's horror fantasy Bottle Party (1939), Irish author Elizabeth Bowen's The Demon Lover (1941), and British author Saki's Tobermory (1911).
3.      Humor
These types of stories are meant for producing surprise and delight. You will see that the most famous humorous tales and fables were written by the Americans. Mark Twain's The Celebrated Jumping Frog of Calaveras County (1865), and Joel Chandler Harris's The Wonderful Tar-Baby Story (1894) are remarkable. There is serious humor in the works of Americans like Eudora Welty's Petrified Man (1939) and Dorothy Parker's The Custard Heart (1939).
4.      Satire
The main purpose of satire is to attack the evils of society. There are writers who wrote stories of sober satire. Austrian author Arthur Schnitzler's Fate of the Baron (1923), and American Mary McCarthy's The Man in the Brooks Brothers Shirt (1941) are known for their somber satire.
5.      Education Story
Such stories revolve around the education of the main character. The good example is American educator Lionel Trilling's Of This Time, of That Place (1944).
6.      History
History types deal with a life story or historical event. Welty's A Still Moment (a 1943 story about naturalist John James Audubon) is fine example of story dealing with history event.
7.      Local Color
These types of stories deal with the customs and traditions of rural and small-town life. You can enjoy the local color in the stories of George Washington Cable, Maria Edgeworth, Sarah Orne Jewett, and Mary Wilkins Freeman.
C.   ELEMENTS OF SHORT STORY
1.      Setting
The time and location in which a story takes place is called the setting.  For some stories the setting is very important, while for others it is not.  There are several aspects of a story's setting to consider when examining how setting contributes to a story (some, or all, may be present in a story):
a) place - geographical location.  
b) time - When is the story taking place?
c) weather conditions - Is it rainy, sunny, stormy, etc?
d) social conditions - Writing that focuses on the speech, dress, mannerisms, customs, etc.
e) mood or atmosphere - What feeling is created at the beginning of the story?  Is it bright and cheerful or dark and frightening?
2.      The plot
It is how the author arranges events to develop his basic idea. There are five essential parts of plot:
a) Introduction - The beginning of the story where the characters and
    the setting is revealed.
b) Rising Action - This is where the events in the story become
    complicated and the conflict in the story is revealed (events between
    the introduction and climax).
c) Climax - This is the highest point of interest and the turning point of
    the story.  The reader wonders what will happen next; will the conflict
    be resolved or not?
d) Falling action - The events and complications begin to resolve
    themselves.  The reader knows what has happened next and if the  
    conflict was resolved or not (events between climax and
    denouement).
e) Denouement - This is the final outcome or untangling of events in 
    the story.
3.      Conflict
Conflict is essential to plot.  Without conflict there is no plot.  It is the opposition of forces which ties one incident to another and makes the plot move.  Conflict is not merely limited to open arguments, rather it is any form of opposition that faces the main character. Within a short story there may be only one central struggle, or there may be one dominant struggle with many minor ones. There are two types of conflict: external (a struggle with a force outside one’s self) and internal (A struggle within one's self; a person must make some decision, overcome pain, quiet their temper, resist an urge, etc). There are also four kinds of conflict: man vs. man, man vs. circumstances, man vs. society, and man vs. herself/himself.
4.      Character
There are two meanings for the word character:
1)  The person in a work of fiction (antagonist and protagonist)
2)  The characteristics of a person (individual, developing)
5.      Point of view
Point of view, or p.o.v., is defined as the angle from which the story is told.
a.       Innocent Eye - The story is told through the eyes of a child (his/her judgment being different from that of an adult).
b.      Stream of Consciousness - The story is told so that the reader feels as if they are inside the head of one character and knows all their thoughts and reactions.
c.       First Person - The story is told  by the protagonist or one of the characters who interacts closely with the protagonist or other characters (using pronouns I, me, we, etc).  The reader sees the story through this person's eyes as he/she experiences it and only knows what he/she knows or feels.
d.      Omniscient- The author can narrate the story using the omniscient point of view.  He can move from character to character, event to event, having free access to the thoughts, feelings and motivations of his characters and he introduces information where and when he chooses. 



6.      Theme
The theme in a piece of fiction is its controlling idea or its central insight.  It is the author's underlying meaning or main idea that he is trying to convey.  The theme may be the author's thoughts about a topic or view of human nature.  The title of the short story usually points to what the writer is saying and he may use various figures of speech to emphasize his theme, such as: symbol, allusion, simile, metaphor, hyperbole, or irony.  

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